When an extraordinary piece of equipment like a fighter jet was 'rolled over' into the sea, there had to be a demand behind such terror. It seemed the perps wanted to know, was there any possibility that Antara would inherit the financiers of her cousins in the West?
However, we had already been told by Kolkata that the city had no interest in financiers except the legit lease heir. It meant newer kinds of tortures were about to be introduced by the British against Antara, would there be anyone powerful enough to outrage or could the NRIs proceed as planned?
The above question could have been directed at the Agency or DoJ as well. Why did Hollywood choose the Navy? Maybe the anxieties being put forth were about women, NRIs claiming that women couldn't sustain intellectual interest beyond their mid-40s and hence Antara needed to be punished.
However, Antara had lived and worked in Kolkata, had known enough journalists and reporters, and of late, there had been insistent reminders from some of them that there was a campaign to make them prioritise their roles as mothers and wives, relegating several decades of reporting on government policy to insignificance. As if CII and FICCI had made a mistake in admitting female reporters into their environs.
Kolkata had made a mistake. It thought the conservative backlash was coming from the Israelis, via the national desks in Delhi. It was coming from the Bengalis of Kolkata, redirected through the Hollywood intelligence desks.
Even that kind of pressure could have been fended off--women professionals were forever proving themselves--except that because of the arrangement between Indian tycoons and 'compromised' Agency officials (Open Box)--there was no one willing to defend career-driven women in Kolkata against NRI wives.
Antara was not a chatty person back when she worked in Kolkata. There were many challenges in her life, including her work, which were difficult to solve without her narrative. But Antara had understood it was not easy being a female reporter in Kolkata, to be driven around from one news assignment to another through the day, to jostle for sound bites and breaking news, to come back exhausted late at night, given much of the city's women hardly did more than instruct the household cook with the meals and plan intrigues against the world.
It influenced Antara's decision to leave Kolkata, "This was not a city where women were meant to work in offices," she had told her husband.
Thus, through a lost fighter jet and the casual questions about further tortures against Antara, an entire aspect of female emancipation and progress was being lost in India. A female reporter was not a docile IT/tech employee, looking pretty and staring at a laptop. A female reporter was hassled and tired, scanning news on her phone and shouting questions at capitalists and politicians. They had to go, they had to be forgotten.
What about Delhi journalists? How was it that they were not in the Hollywood-fighter jet line of fire? Antara would suspect that Delhi journalists had scripted careers: cover a conflict and launch your own channel. Get employed at BBC and make sure ACJ always remained connected to Sandhurst. Work for a while and then immigrate to cute Netherlands or misty Norway.
Not that female reporters in Kolkata needed Antara's support or sympathy. But a way of life that conflicted with the trophy-wife existence of the NRIs was targeted and wiped out and Antara was still paying for it, with British and Agency initiatives that made her medication redundant.
When Hollywood agreed to be a part of NRI assault on women's emancipation, for the sake of Mexican Communism, it stopped being a part of the democratic United States.
Hollywood was no country for female reporters.
April 30, 2025.